The Benevolent American in the Heart of Darkness
He has also produced about 50 books of photography with and without poetic captions. All his works, along with some manuscripts and literary letters by various authors, are to be found at the Archives and Museum of Belgian Literature  in Brussels Belgium. Mixed Blood has been the subject of the Capes degree at the Sorbonne University in Paris in the English department of literature.
During the s, having in common their Congolese experience, their love of and their interest for Africa, he befriends the Italian artist and philosopher Joseph Pace , founder in Paris of Filtranisme, a neo-existential philosophical and artistic current. As a photographer he has garnered several prizes in the US, especially from National Indie-Excellence winner and finalist , photo pursuit formerly photo challenge , Gallery Photografica silver medal. Bilingual writer, he freely discusses topics such as anti-racism , individual and collective freedoms , and LGBT freedoms.
From Wikipedia, the free encyclopedia. Albert Russo. Archived from the original on 23 July The light of a headlong, exalted satisfaction with the world of men In passing he cast a glance of kindly curiosity and a friendly gleam of big, sound, shiny teeth However, despite Achebe's compelling "evidence", I am still finding it difficult to dismiss this man and his short novel. Are we to throw all racists out of the canon? Are we, as Achebe suggests, to ignore the period in which novels are written and demand that the artist rise above the prejudices of his times?
As much as I respect the man sitting before me, something does not ring true. We both agree that Conrad was not the originator of this disturbing image of Africa and Africans. And we both appear to agree that Conrad had the perception to see that this encounter with Africa exposed the fissures and instabilities in so-called European civilisation. Further, we both agree that in order to expose European fragility, Conrad pandered to a certain stereotype of African barbarity that, at the time, was accepted as the norm.
Finally, we both agree that this stereotype is still with us today. Achebe speaks quickly, as though a thought has suddenly struck him. And where is the proof that he is on my side? A few statements about it not being a very nice thing to exploit people who have flat noses?
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This is his defence against imperial control? If so it is not enough. It is simply not enough. If you are going to be on my side what is required is a better argument.
Ultimately you have to admit that Africans are people. You cannot diminish a people's humanity and defend them. I feel as though I am walking around an impregnable fortress. However, I am losing interest in the problem of breaching the ramparts and becoming more concerned with the aesthetics of its construction. Graham Greene would be one because he knew his limitations. He didn't want to explain Africans to the world. He made limited claims and wasn't attempting to be too profound. After all, we can't be too profound about somebody whose history and language and culture is beyond our own.
This identification with the other is what a great writer brings to the art of story-making.
We should welcome the rendering of our stories by others, because a visitor can sometimes see what the owner of the house has ignored. But they must visit with respect and not be concerned with the colour of skin, or the shape of nose, or the condition of the technology in the house. It is now my turn to stare out of the window at the six-foot snow drifts and the bare, rickety arms of the trees. The light is beginning to fade and soon I will have to leave.
I avert my eyes and turn to face my host. What interests me is what I learn in Conrad about myself. To use me as a symbol may be bright or clever, but if it reduces my humanity by the smallest fraction I don't like it. But you cannot compromise my humanity in order that you explore your own ambiguity.
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I cannot accept that. My humanity is not to be debated, nor is it to be used simply to illustrate European problems. The realisation hits me with force. I am not an African. Were I an African I suspect I would feel the same way as my host. But I was raised in Europe, and although I have learned to reject the stereotypically reductive images of Africa and Africans, I am undeniably interested in the break-up of a European mind and the health of European civilisation.
I feel momentarily ashamed that I might have become caught up with this theme and subsequently overlooked how offensive this novel might be to a man such as Chinua Achebe and to millions of other Africans. Achebe is right; to the African reader the price of Conrad's eloquent denunciation of colonisation is the recycling of racist notions of the "dark" continent and her people. Those of us who are not from Africa may be prepared to pay this price, but this price is far too high for Achebe.
However lofty Conrad's mission, he has, in keeping with times past and present, compromised African humanity in order to examine the European psyche. Achebe's response is understandably personal. We're not 'half-made' people, we're a very old people. We've seen lots of problems in the past. We've dealt with these problems in Africa, and we're older than the problems.
Drought, famine, disease, this is not the first time that we're dealing with these things in Africa. He takes a deep breath. Beyond him, and through the window, the blanket of night begins to descend over the woods.
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You take it to heart because a man with such talent should not behave in this way. My people, we say one palm nut does not get lost in the fire, for you must know where it is. But if you have 20 you may lose sight of some and they will get burned, but you have others. Well, as you know, we have very few who have the talent and who are in the right place, and to lose even one is a tragedy. We cannot afford to lose such artists. I cannot recommend this work highly enough because it is a synthesis of the most important events and information all citizens of the world need understand to be able to take stock and understand the world we live in.
I look forward to Mr. Kirkconnell's second volume and I highly commend him on this scholarship and analytic abilities in putting this first volume together.
As my intro to psychology professor told me 45 years ago, "we have plenty of people doing excellent research," "what we lack are people able to synthesize that research and connect the dots. A must read August 22, Format: Paperback Verified Purchase Awesome review of American history that sadly one will never find in any contemporary history book or mentioned in the modern mass media. I could not help but draw a comparison between Mr.
One major area that Oliver Stone did not touch upon was the white genocide of the native American populations. I had NO idea how bad it was until I read this book. There were many new things I have learned from reading this book. Kirkconnell certainly has his finger on the pulse of American history. Psychopaths rule the world! This book will dispel all the fairy tales you were taught in school about "the land of the free".
From the earliest genocidal, racist, and militaristic seeds sown through European colonialism, all the way up to the bitter fruit these seeds have produced that is today's American Empire, Kirkconnell lays all the cards on the table.
In this book you will find an exposition of the cold reality of the CIA drug-trade, covert coup de tats, proxy wars, political assassinations, consistent violations of international law, and military profiteering. You will be taught how war is a business, and how wars are deliberately manufactured and provoked for profit, and given a description of the inner-workings of the secret government who rule behind the scenes, as well as a brilliant analysis of the JFK assassination carried out by this secret elite.
Although he wasn't perfect, JFK pushed back against this power structure and tried to redirect the country away from the direction we have now headed in, and his assassination was the "final nail in the coffin" of the American republic, heralding the full-fledged take-over by psychopathic leaders who rule behind the scenes through the banking cartels and the world of intelligence agencies, the prison industrial complex, arms dealers, and the military industrial complex.
What makes Kirkconnell's book unique compared to other books that deal with these topics is that he factors in the up-to-date psychological research about pathological personality types, the worst of which is psychopathy, that is, individuals that current research indicates are born without a conscience read Dr. Robert Hare's book "Without Conscience"!
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He specifically factors in the groundbreaking, yet little-known theories of Andrew Lobaczewski as described in his book "Political Ponerology," which details how psychopaths are capable of taking over groups, large or small, and even entire nations, and by their influence corrupting the halls of power and even the masses themselves, creating what Lobaczewski calls a "pathocracy," that is, a pathological society ruled by psychopaths. If you want to know the true history of this country, and of the deep relationships between psychopathy, war, debt, and drugs to the establishment and maintaining of empires, then get this book and STUDY IT!
It will open your eyes, and you'll never look at the United States the same again. Kindle Book Giveaway! School, Library or Charity?
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